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We recently completed the changeover to a new, much improved audio management system, including a new program scheduling computer, file servers, workstations and more secure and reliable IT networking between our studios in Garden City and Amarillo. This work involved thousands of audio files and lines of programming code, so you may hear some glitches in our programming as we "burn-in" the system. We apologize for any disruptions to your listening. If you have questions or problems to report, please contact HPPR's Technical Director, Alex Fregger (afregger@hppr.org).

Music from Seventeenth-Century Salzburg

This week Classical Music Amarillo goes a bit farther back in time than usual with a program of sacred music composed in Salzburg just a generation or so before the Mozart family dominated the music scene in that picturesque Austrian town.

While the lion’s share of our Classical Music Amarillo episodes feature recordings that were created here in the Texas Panhandle, this week's show is a horse of a different color.

This week Classical Music Amarillo presents a program of recordings that were created in Salzburg, Austria and are related to our host's own publications and research including collaborative performances by the Cappella dell’halla, which is directed by Robert Schlegl, and the Mozarteum vocalEnsemble, which is conducted by Jörn Andressen. These two groups recently joined together to perform and record Andreas Hofer’s Missa Archiepiscopalis, which we'll hear on the first half of the show this week.

On the second half of the program you can look forward to hearing music by Hofer's (slightly) more famous contemporary, Heinrich Biber. We'll listen to the Cappella dell'halla and the Mozarteum vocalEnsemble perform two of Biber's vocal works, (Magnificat and Laetatus sum), as well as violinist Audrey Wright's recent Panhandle performance of Biber's virtuosic Passacaglia for solo violin.