Annalisa Quinn
Annalisa Quinn is a contributing writer, reporter, and literary critic for NPR. She created NPR's Book News column and covers literature and culture for NPR.
Quinn studied English and Classics at Georgetown University and holds an M.Phil in Classical Greek from the University of Cambridge, where she was a Cambridge Trust scholar.
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An unexpected and interesting aspect of the book is the way it brims with experiences of the body, including Couric's years struggling with bulimia and the warping effects of having her looks managed. -
Pat Barker returns to the scene of the Trojan War in The Women of Troy, but this time after the city has fallen and its women are grieving their old lives while trying to figure out their new ones.
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Sarah Moss's new novel takes place over a single, unrelentingly rainy day at a vacation site in Scotland, where families complain about each other and mounting dread builds to catastrophe at the end.
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Former Washington Post leader Len Downie is well-placed to offer a look at 50 years in news — but he also writes of times he had to weigh the public's right to know against national security.
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Ward says she didn't know as a journalist she would "have my heart broken in a hundred different ways, that I would lose friends and watch children die and grow to feel like an alien in my own skin."
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Elena Ferrante's latest is as slinky and scowling as a Neapolitan cat, and as promised, it's all about the part of life adults lie about: sex — and the chaos, infidelity and fear that accompany it.
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Johnson's chilly, uneasy novel follows two sisters in the wake of an unnamed "something" that happened. Critic Annalisa Quinn says it's slighter than Johnson's previous work, but genuinely surprising.
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Hill's election to Congress in 2018 seemed like a sign of progress. A year later, she resigned after admitting to an affair with a young staffer, documented by her husband, and leaked to the press.
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Kim Wall was 30 when she was killed by a source. Her parents are working to make sure her name will not be a warning but a tag under ambitious investigative pieces, a line on resumes, a calling card.
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The flattening effect of political discourse, insipidity of the first lady role and her own remoteness have led us to either forget she has an inner life — or to imagine her as an elegant prisoner.
