Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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Paul Thomas Anderson's action thriller starring Leonardo DiCaprio is a loose adaptation of Thomas Pynchon's Vineland. It weaves zany dark comedy, sociopolitical satire and controlled narrative chaos. -
Kogonada's film about lonely strangers traveling together in a car with a magical GPS wants to engage in heady conceits. But not even Colin Farrell and Margot Robbie can save a script this hopeless. -
Downton Abbey: The Grand Finale takes place in 1930 and is much better than the last Downton movie. Creator Julian Fellowes cuts back on the convoluted plotting and zeroes in on emotional dynamics. -
Darren Aronofsky's film is a funny, bloody valentine to 1990s New York City. Though awfully engrossing, Caught Stealing's mix of rambunctious slapstick and bone-crunching violence doesn't always gel. -
Small-town life is upended when 17 schoolchildren suddenly vanish without explanation in the middle of the night. Weapons is a spooky thriller that invites deeper interpretation. -
Denzel Washington plays a New York City music mogul whose teenage son becomes the target of a kidnapping plot. The movie is a remake of the 1963 Akira Kurosawa classic, High and Low.
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The new Naked Gun film, starring Liam Neeson, captures its predecessors' slapstick spirit. Freakier Friday, meanwhile, proves less compelling, despite a solid performance by Lindsay Lohan. -
Eva Victor wrote, directed and stars in this tender film about a woman trying to make sense of life after sexual assault. Although very much a drama, Sorry, Baby showcases Victor's comic smarts. -
Director James Gunn brings an irreverent, borderline-slapstick vibe to the latest Superman film, in which our hero grapples with villains, strange creatures and public opinion.
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Pitt, 61, stars as a Formula One driver whose career was sidelined by a devastating crash. Though the overall arc of F1 is fairly predictable, the film is still hugely enjoyable and dazzlingly well-made.
